《野草》題辭

When I am silent, I feel full.When I am about to speak, I feel empty at the same time.

当我沈默著的时候,我觉得充实;我将开口,同时感到空虚。

The life of the past has already died.I take great joy in this death, for through it I know that it once lived.The dead life has already rotted.I take great joy in this decay, for through it I know that it is not yet empty.

过去的生命已经死亡。我对于这死亡有大欢喜,因为我借此知道它曾经存活。死亡的生命已经朽腐。我对于这朽腐有大欢喜,因为我借此知道它还非空虚。

The mud of life lies cast off upon the ground, growing no trees, only wild grass — this is my transgression.

生命的泥委弃在地面上,不生乔木,只生野草,这是我的罪过。

Wild grass, its roots not deep, its flowers and leaves not beautiful, yet it drinks dew, drinks water, drinks the blood and flesh of the long dead, each one seizing its own survival.Even while it lives, it will still be trampled, still be cut down, until it dies and rots.

野草,根本不深,花叶不美,然而吸取露,吸取水,吸取陈死人的血和肉,各各夺取它的生存。当生存时,还是将遭践踏,将遭删刈,直至于死亡而朽腐。

But I am calm, and glad.I will laugh aloud, I will sing.

但我坦然,欣然。我将大笑,我将歌唱。

I love my wild grass for its own sake, but I detest this ground that is decorated with wild grass.

我自爱我的野草,但我憎恶这以野草作装饰的地面。

Underground fire runs and surges beneath the earth;once the lava erupts, it will burn up all the wild grass, and the trees too, and then there will be nothing left even to rot.

地火在地下运行,奔突;熔岩一旦喷出,将烧尽一切野草,以及乔木,于是并且无可朽腐。

But I am calm, and glad.I will laugh aloud, I will sing.

但我坦然,欣然。我将大笑,我将歌唱。

Heaven and earth are so silent and still that I cannot laugh aloud and sing.Even if heaven and earth were not so silent and still, I might still be unable to.With this clump of wild grass, at the juncture of light and darkness, life and death, past and future, I offer it as testimony before friend and foe, man and beast, those who love and those who do not love.

天地有如此静穆,我不能大笑而且歌唱。天地即不如此静穆,我或者也将不能。我以这一丛野草,在明与暗,生与死,过去与未来之际,献于友与仇,人与兽,爱者与不爱者之前作证。

For my own sake, for friend and foe, man and beast, those who love and those who do not love, I hope for the decay of this wild grass to come swiftly.Otherwise, I myself will never have truly lived, and that would be a greater misfortune than death and decay.

为我自己,为友与仇,人与兽,爱者与不爱者,我希望这野草的朽腐,火速到来。要不然,我先就未曾生存,这实在比死亡与朽腐更其不幸。

Go now, wild grass, together with my inscription!

去罢,野草,连著我的题辞!

April 26, 1927

Lu Xun, written in the White Cloud Tower, Guangzhou

鲁迅记于广州之白云楼上

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What it’s about

The dedication Lu Xun wrote for the book once it was a book, and the densest page in it. It opens on the sentence the whole collection turns on: when I am silent I feel full, and as I open my mouth I feel empty. His past life is dead, and he takes great joy in the death because it proves the life once existed; the dead life has rotted, and he takes great joy in the rot because it proves the death was not nothing. The mud of life lies abandoned on the ground and grows no tall timber, only wild grass — and that, he says, is his fault.

The grass is the book. Its roots are shallow and its flowers and leaves are not beautiful, and it lives by drinking dew and water and the blood and flesh of the long dead; while it lives it will be trampled and mown down until it dies and rots — and he is calm about that, glad about it, he will laugh out loud and sing. He loves his own wild grass and detests the ground that uses it for decoration. Underground the earth-fire runs and rushes, and when the lava comes up it will burn away the grass and the timber with it, and then there will be nothing left to rot. He offers this one clump of grass, in the space between light and dark, life and death, past and future, before friend and enemy, human and beast, those who love him and those who do not, as testimony — and hopes its rotting comes quickly, since if it does not, that would mean he had never lived at all, which is unluckier than death and decay. Go, wild grass, and my dedication with you.

When it was written 背景

Written at 白雲樓 in Guangzhou on 26 April 1927, two weeks after the Nationalist purge of Communists began in Shanghai and days after it reached Guangzhou. It is the last-written page of the collection and the one that fixes the mood the rest is read in; it ran in 語絲 that summer and stood at the front of the book 北新書局 brought out in July 1927, and censors had it cut from reprints in the early 1930s, which is why some older copies begin at 影的告别. For a learner it is the hardest thing here and the wrong place to start: short parallel clauses with an almost classical weight, abstractions stacked in pairs (明與暗,生與死,過去與未來), and hardly a concrete noun to hold on to except the grass. Come back to it after 影的告别 and 過客.

Words in this chapter 生词