孔乙己 Kong Yiji

The layout of taverns in Luzhen is different from elsewhere: each has an L-shaped counter facing the street, with hot water kept ready inside so wine can be warmed at any time.——,——Laborers, when they knocked off work around noon or evening, would often spend four coppers to buy a bowl of wine — this was the way it was more than twenty years ago; nowadays each bowl costs as much as ten coppers — and, standing outside the counter, would drink it hot and rest a while;便if one were willing to spend one more copper, one could buy a dish of salted, boiled bamboo shoots or fennel beans to go with the wine, and if one went so far as to spend a dozen-odd coppers, one could buy a meat dish besides — but these customers were mostly men in short jackets, and few could afford such extravagance.穿Only those who wore long gowns would saunter into the room next to the shopfront, order wine and dishes, and sit drinking at leisure.

鲁镇的酒店的格局,是和别处不同的:都是当街一个曲尺形的大柜台,柜里面豫备着热水,可以随时温酒。做工的人,傍午傍晚散了工,每每花四文铜钱,买一碗酒——这是二十多年前的事,现在每碗要涨到十文,——靠柜外站着,热热的喝了休息;倘肯多花一文,便可以买一碟盐煑笋,或者茴香豆,做下酒物了,如果出到了十几文,那就能买一样荤菜,但这些顾客,多是短衣帮,大抵没有这样阔绰。只有穿长衫的,才踱进店面隔壁的房子里,要酒要菜,慢慢地坐喝。

便From the age of twelve I worked as an errand boy at the Xianheng Tavern at the edge of Luzhen. The proprietor said I looked too foolish to be trusted to wait on long-gown customers, so I had better do some work outside.The short-jacketed customers outside were easy enough to deal with, but quite a few of them were long-winded and hard to satisfy.They would often insist on watching with their own eyes as the yellow wine was ladled from the jar, checking whether there was water at the bottom of the wine-pot, and even watching the pot being set into the hot water — only then would they feel at ease; under such strict supervision, it was very hard indeed to water down the wine.So after a few days, the proprietor said again that I wasn't fit for this work either.退便Fortunately the man who had recommended me carried enough weight that I couldn't simply be dismissed, so instead I was switched to the tedious sole task of warming the wine.

我从十二岁起,便在镇口的咸亨酒店里当伙计,掌柜说,样子太儍,怕侍候不了长衫主顾,就在外面做点事罢。外面的短衣主顾,虽然容易说话,但唠唠叨叨缠夹不淸的也很不少。他们往往要亲眼看着黄酒从坛子里舀出,看过壶子底里有水没有,又亲看将壶子放在热水里,然后放心:在这严重监督之下,羼水也很为难。所以过了几天,掌柜又说我干不了这事。幸亏荐头的情面大,辞退不得,便改为专管温酒的一种无聊职务了。

便From then on I stood all day long behind the counter, attending only to my one duty.調Though I never neglected my job, I always felt it rather monotonous and tedious.The proprietor wore a fierce scowl, and the customers were none too pleasant either, so there was no chance to be lively;only when Kong Yiji came to the shop could I manage a few laughs, which is why I still remember him to this day.

我从此便整天的站在柜台里,专管我的职务。虽然没有什么失职,但总觉有些单调,有些无聊。掌柜是一副凶脸孔,主顾也没有好声气,教人活泼不得;只有孔乙己到店,才可以笑几声,所以至今还记得。

穿Kong Yiji was the only one who drank standing up and yet wore a long gown.He was very tall and big-boned;his face was pale and sallow, and among its wrinkles there were often scars;he had a large, unkempt, grizzled beard.穿Though what he wore was a long gown, it was dirty and tattered, and seemed not to have been mended or washed in over ten years.滿When he spoke to people, his mouth was always full of classical particles like "zhi," "hu," "zhe," and "ye," half of which no one could understand.便Because his surname was Kong, people took the half-understood phrase "Shang Da Ren Kong Yiji" from the copybook used for practicing characters, and from it fashioned a nickname for him: Kong Yiji.便:『!』:『。』便Whenever Kong Yiji came to the shop, all the wine-drinkers there would look at him and laugh, and some would call out, "Kong Yiji, you've got a new scar on your face again!" He would not answer, but say to the counter, "Warm two bowls of wine, and a dish of fennel beans." Then he would lay out nine coppers in cash.:『西!』:『……』『They would go on, deliberately raising their voices: "You must have stolen something from someone again!" Kong Yiji would open his eyes wide and say, "How can you slander an innocent man's good name out of thin air—" "Good name?。』便:『……Why, the day before yesterday I saw with my own eyes that you stole books from the He family, and got strung up and beaten for it." At this Kong Yiji's face would flush red, the veins standing out on his forehead, and he would argue back, "Taking a book can't be called stealing…!……Taking books!…?』便』,It's a scholar's affair — how can that be called stealing?" Then would follow words hard to understand, things like "a gentleman keeps his integrity even in poverty" and other bits of "zhe" and "hu," which set the whole crowd roaring with laughter;滿the whole shop, inside and out, was filled with an air of merriment.

孔乙己是站着喝酒而穿长衫的唯一的人。他身材很高大;靑白脸色,皱纹间时常夹些伤痕;一部乱蓬蓬的花白的胡子。穿的虽然是长衫,可是又脏又破,似乎十多年没有补,也没有洗。他对人说话,总是满口之乎者也,教人半懂不懂的。因为他姓孔,别人便从描红纸上的『上大人孔乙己』这半懂不懂的话里,替他取下一个绰号,叫作孔乙己。孔乙己一到店,所有喝酒的人便都看着他笑,有的叫道:『孔乙己,你脸上又添上新伤疤了!』他不回答,对柜里说:『温两碗酒,要一碟茴香豆。』便排出九文大钱。他们又故意的高声嚷道:『你一定又偸了人家的东西了!』孔乙己睁大眼睛说:『你怎么这样凭空汚人淸白……』『什么淸白?我前天亲眼见你偸了何家的书,吊着打。』孔乙己便涨红了脸,额上的靑筋条条绽出,争辩道:『窃书不能算偸……窃书!……读书人的事,能算偸么?』接连便是难懂的话,什么『君子固穷』,什么『者乎』之类,引得众人都哄笑起来;店内外充满了快活的空气。

From what people said behind his back, it turned out Kong Yiji had indeed studied, but had never managed to pass the examinations, and had no skill in making a living;so he grew poorer and poorer, until he was almost reduced to begging.便Fortunately he wrote a fine hand, and so he could copy books for people in exchange for a bowl of rice.便The pity was that he had one bad habit besides — he loved to drink and was too lazy to work.便He wouldn't sit at it more than a few days before he, along with the books, paper, and writing brushes, would vanish together.After this happened several times, there was no one left willing to hire him to copy books.便With no other way out, Kong Yiji couldn't help but occasionally resort to a bit of petty theft.But at our shop his conduct was better than anyone else's — he never once let his bill run unpaid;even when now and then he had no cash on hand and it was written for a while on the chalkboard, before a month was out he would surely settle it in full, and Kong Yiji's name would be wiped from the board.

听人家背地里谈论,孔乙己原来也读过书,但终于没有进学,又不会营生;于是愈过愈穷,弄到将要讨饭了。幸而写得一笔好字,便替人家钞钞书,换一碗饭吃。可惜他又有一样坏脾气,便是好喝嬾做。坐不到几天,便连人和书籍纸张笔砚,一齐失踪。如是几次,叫他钞书的人也没有了。孔乙己没有法,便免不了偶然做些偸窃的事。但他在我们店里,品行却比别人都好,就是从不拖欠;虽然间或没有现钱,暂时记在粉板上,但不出一月,定然还淸,从粉板上拭去了孔乙己的名字。

便,『?』After Kong Yiji had drunk half a bowl of wine, the flush would gradually fade from his face, and someone would ask again, "Kong Yiji, do you really know how to read?" Kong Yiji would look at whoever asked him this, wearing an expression of not deigning to argue.便:『?』They would then go on to say, "Then how is it you never managed to pass even the lowest examination?" At once Kong Yiji would look downcast and uneasy, a grey pallor spreading over his face, and his lips would move, saying something;this time it was entirely those classical particles, and not a word of it could be understood.滿At such times the whole crowd would burst out laughing again: the shop, inside and out, was filled with an air of merriment.

孔乙己喝过半碗酒,涨红的脸色渐渐复了原,旁人便又问道,『孔乙己,你当真认识字么?』孔乙己看着问他的人,显出不屑置辩的神气。他们便接着说道:『你怎的连半个秀才也捞不到呢?』孔乙己立刻显出颓唐不安模样,脸上笼上了一层灰色,嘴里说些话;这回可是全是之乎者也之类,一些不懂了。在这时候,众人也都哄笑起来:店内外充满了快活的空气。

At such times I was allowed to join in the laughter, and the proprietor never scolded me for it.Moreover, whenever the proprietor saw Kong Yiji, he too would often ask him the same question, just to raise a laugh.便Kong Yiji himself knew it was no use trying to talk with them, and so he would only turn and speak to us children instead.,『?』Once he said to me, "Have you ever studied?" I gave a slight nod.,『,……He said, "So you've studied…便Then let me test you.?』The word 'hui' in 'fennel beans' — how is it written?" I thought, is a man who might as well be a beggar fit to test me?便So I turned my face away and paid him no more attention.:『?……Kong Yiji waited a good while, then said very earnestly, "You can't write it, can you?…Let me teach you — remember it!Characters like this you ought to remember.。』Later, when you become a shopkeeper yourself, you'll need it for keeping accounts." I thought secretly that I was still a very long way from being a shopkeeper, and besides, our own proprietor never once entered fennel beans in the accounts;:『?』:『!……amused and impatient both, I answered him lazily, "Who asked you to teach me? Isn't it the character 'hui' made of the grass radical over a 'hui' meaning 'return'?" Kong Yiji looked extremely pleased, tapping the counter with the two long fingernails of his fingers, and said, nodding, "Right, right!…?』There are four ways of writing the character 'hui' — did you know that?" I grew more impatient still, and walked off, pouting.便Kong Yiji had just dipped his fingernail in the wine, meaning to write the character on the counter, but seeing how utterly uninterested I was, he only sighed and looked most regretful.

在这些时候,我可以附和着笑,掌柜是决不责备的。而且掌柜见了孔乙己,也每每这样问他,引人发笑。孔乙己自己知道不能和他们谈天,便只好向孩子说话。有一回对我说道,『你读过书么?』我略略点一点头。他说,『读过书,……我便考你一考。茴香豆的茴字,怎样写的?』我想,讨饭一样的人,也配考我么?便回过脸去,不再理会。孔乙己等了许久,很恳切的说道:『不能写罢?……我教给你,记着!这些字应该记着。将来做掌柜的时候,写帐要用。』我暗想我和掌柜的等级还很远呢,而且我们掌柜也从不将茴香豆上帐;又好笑,又不耐烦,嬾嬾的答他道:『谁要你教,不是草头底下一个来回的回字么?』孔乙己显出极高兴的样子,将两个指头的长指甲敲着柜台,点头说:『对呀对呀!……回字有四样写法,你知道么?』我愈不耐烦了,努着嘴走远。孔乙己刚用指甲蘸了酒,想在柜上写字,见我毫不热心,便又叹一口气,显出极惋惜的样子。

Sometimes the neighborhood children, hearing the laughter, would come running to join the fun, and crowd around Kong Yiji.便He would give them fennel beans to eat, one apiece.When the children had finished their beans, they still would not scatter, their eyes all fixed on the dish.:『。』:『Flustered, Kong Yiji would spread his five fingers to cover the dish, and bending down, say, "There isn't much left, I really haven't much left." Then straightening up, he would look at the beans again and shake his head, saying, "Not much, not much!Is it much?。』Not much at all." And with that the whole crowd of children would scatter, laughing.

有几回,邻舍孩子听得笑声,也赶热闹,围住了孔乙己。他便给他们茴香豆吃,一人一颗。孩子吃完豆,仍然不散,眼睛都望着碟子。孔乙己着了慌,伸开五指将碟子罩住,弯腰下去说道:『不多了,我已经不多了。』直起身又看一看豆,自己摇头说:『不多不多!多乎哉?不多也。』于是这一群孩子都在笑声里走散了。

使便Kong Yiji brought such amusement to others, yet without him, everyone else got on just the same.

孔乙己是这样的使人快活,可是没有他,别人也便这么过。

:『One day, about two or three days before the Mid-Autumn Festival, the proprietor was settling the accounts at his leisure, and had just taken down the chalkboard, when he suddenly said, "Kong Yiji hasn't been in for a long while.!』He still owes nineteen coppers!" Only then did I too realize that he had indeed not come for a long time.,『?……One of the drinkers said, "How could he come?…。』:『!』『He's had his leg broken." The proprietor said, "Oh!" "He's still at it — stealing.This time he was foolish enough to go and steal from the household of Squire Ding, no less.西?』『?』『Whoever heard of stealing from a family like that?" "What happened after?" "What happened?。』『?』『。』『?』『?……First he had to write a confession, and then came the beating — beaten for the better part of the night, and his leg broken besides." "And after that?" "After that his leg was broken." "Broken, and then what?" "What?…Who knows?。』Probably dead by now." The proprietor asked no more, and went on slowly reckoning his accounts.

有一天,大约是中秋前的两三天,掌柜正在慢慢的结帐,取下粉板,忽然说:『孔乙己长久没有来了。还欠十九个钱呢!』我才也觉得他的确长久没有来了。一个喝酒的人说道,『他怎么会来?……他打折了腿了。』掌柜说:『哦!』『他总仍旧是偸。这一回,是自己发昏,竟偸到丁举人家里去了。他家的东西,偸得的么?』『后来怎么样?』『怎么样?先写服辩,后来是打,打了大半夜,再打折了腿。』『后来呢?』『后来打折了腿了。』『打折了怎样呢?』『怎样?……谁晓得?许是死了。』掌柜也不再问,仍然慢慢的算他的帐。

After Mid-Autumn, the autumn wind grew colder day by day, and winter drew near;穿I spent the whole day huddled by the fire, and even had to put on a padded jacket.One afternoon, with not a single customer in the shop, I was sitting with my eyes closed.,『。』Suddenly I heard a voice: "Warm a bowl of wine." The voice was very faint, yet it sounded familiar.I looked up, but there was no one to be seen.便I stood and looked out over the counter, and there was Kong Yiji, sitting below the counter facing the threshold.His face was dark and thin, hardly recognizable as his own;穿he wore a tattered, lined jacket, his legs crossed beneath him, with a straw mat cushioning him from below, held up over his shoulders by a rope of straw;,『。』:『seeing me, he said again, "Warm a bowl of wine." The proprietor too stretched his head out, saying as he did, "Kong Yiji?!』,『……You still owe nineteen coppers!" Kong Yiji answered, looking most downcast, raising his face, "This…next time I'll pay it all off.。』,『西!』!』『This time it's cash — let the wine be good." The proprietor, just as he always did, said to him with a laugh, "Kong Yiji, you've been stealing again!" But this time he did not argue back much, only saying, "Don't make fun of me!" "Make fun of you??』:『……』If you hadn't stolen, how would your leg have gotten broken?" Kong Yiji said in a low voice, "I fell, broke it falling, falling…" The look in his eyes seemed to plead with the proprietor not to bring it up again.便By this time several people had gathered, and they laughed along with the proprietor.I warmed the wine, carried it out, and set it down on the threshold.滿便He fished four coppers out of his ragged pocket and put them in my hand; I saw his hand was covered in mud — he must have come walking on his hands.便Before long he finished the wine, and amid the laughter and talk of the others, went off, walking slowly away on his hands.

中秋过后,秋风是一天凉比一天,看看将近初冬;我整天的靠着火,也须穿上棉袄了。一天的下半天,没有一个顾客,我正合了眼坐着。忽然间听得一个声音,『温一碗酒。』这声音虽然极低,却很耳熟。看时又全没有人。站起来向外一望,那孔乙己便在柜台下对了门槛坐着。他脸上黑而且瘦,已经不成样子;穿一件破夹袄,盘着两腿,下面垫一个蒲包,用草绳在肩上挂住;见了我,又说道,『温一碗酒。』掌柜也伸出头去,一面说:『孔乙己么?你还欠十九个钱呢!』孔乙己很颓唐的仰面答道,『这……下回还淸罢。这一回是现钱,酒要好。』掌柜仍然同平常一样,笑着对他说,『孔乙己,你又偸了东西了!』但他这回却不十分分辩,单说了一句『不要取笑!』『取笑?要是不偸,怎么会打断腿?』孔乙己低声说道:『跌断,跌,跌……』他的眼色,很像恳求掌柜,不要再提。此时已经聚集了几个人,便和掌柜都笑了。我温了酒,端出去,放在门槛上。他从破衣袋里摸出四文大钱,放在我手里,见他满手是泥,原来他便用这手走来的。不一会,他喝完酒,便又在旁人的说笑声中,坐着用这手慢慢走去了。

After that, once again it was a long time before anyone saw Kong Yiji.:『!』:『!』When the year's end came, the proprietor took down the chalkboard and said, "Kong Yiji still owes nineteen coppers!" By the Dragon Boat Festival of the following year he said again, "Kong Yiji still owes nineteen coppers!" But by Mid-Autumn he said nothing more, and when the year's end came round again, still no one had seen him.

自此以后,又长久没有看见孔乙己。到了年关,掌柜取下粉板说:『孔乙己还欠十九个钱呢!』到第二年的端午,又说:『孔乙己还欠十九个钱呢!』到中秋可是没有说,再到年关也没有看见他。

——To this day I have never seen him again — Kong Yiji must surely be dead.

我到现在终于没有见——大约孔乙己的确死了。

。)(March, 1919.)

》,:(1)”);(2);(3)。(According to the Explanatory Notes on the Copyright Law of the People's Republic of China, a "work made by a legal person" must satisfy three requirements: (1) it must be created under the direction of the legal person (or other organization, hereinafter "legal person"), rather than initiated spontaneously by staff members; (2) the creative thought and mode of expression must embody the will of the legal person; (3) responsibility for it must be borne by the legal person, not by the individual who actually wrote it. (Details.)

1938The Complete Works of Lu Xun was published in 1938 by the Lu Xun Memorial Committee.寿广Members of the editorial committee included Cai Yuanpei, Ma Yuzao, Xu Shoushang, Shen Jianshi, Mao Dun, Zhou Zuoren, and Xu Guangping, among others; the ones actually in charge of the work were Zheng Zhenduo and Wang Renshu, while the staff included Tang Tao, Xie Danru, Hu Zhongchi, and others.

《鲁迅全集》由鲁迅先生纪念委员会于1938年出版。编辑委员会成员有蔡元培、马裕藻、许寿裳、沈兼士、茅盾、周作人、许广平等,实际负责工作的是郑振铎和王任叔,工作人员则有唐弢、谢澹如、胡仲持等。

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What it’s about

The narrator worked from the age of twelve as a boy warming wine at the 咸亨酒店 in Lu Town, and remembers the one customer who drank standing at the counter like a labourer while wearing the long gown of a scholar. Kong Yiji never passed even the lowest examination, lives by copying books for people, and steals the books he is meant to be copying; caught at it, he insists at length that taking a book cannot be called stealing. The other drinkers keep him around for the pleasure of asking him about it.

He is also the only adult in the story who is kind to the narrator: he hands the children his aniseed beans when they crowd round, and tries to teach the boy the four different ways of writing the character 茴, which the boy cannot be bothered to learn. Then he is caught stealing from a 舉人's house, has his legs broken for it, and turns up one last time dragging himself along on his hands to drink a bowl sitting on the ground. Nobody in the tavern registers that he has stopped coming, except the chalk board that still records the money he owed.

When it was written 背景

Lu Xun's own favourite among his stories, published in 新青年 volume 6, number 4, in April 1919. It is the story to hand a learner first: under 3,000 characters, one setting, one character, plain past-tense narration, and no allegory to decode before you can follow it. It is also the piece of modern Chinese fiction most likely to be quoted at you — 竊書不能算偷 and 多乎哉?不多也 have both been idioms for a century — so an hour spent on it pays back twice, once as reading practice and once as common ground with any Chinese reader you will ever meet.

Words in this chapter 生词