愛就是刑罰 Love Is Punishment

Love Is Punishment

爱就是刑罚

“At a time like this, what are you still bent over the desk writing?.』Come take a walk by the sea with me.”

『这什么时候了,还埋头在案上写什么?快同我到海边去走走罢.』

The husband went on writing, neither rising nor even lifting his head to pay his wife the courtesy of an “attentive smile.” His wife ran to his

丈夫尽管写着,没站起来,也没抬头对他妻子行个「注目笑」底礼.妻子跑到身

side and tried to snatch the pen from his hand;,『Only then did he say, “I’m sorry; go by yourself. The ship sails early tomorrow morning, and tonight I

边,要抢掉他手里底笔;他才说,『对不起,你自己去罢.船明天一早就要开,今晚上我

must hurry and finish these letters;.』at ten I still have to take them to the mailbox aboard the ship.”

得把这几封信赶出来;十点钟还要送到船里底邮箱去.』

.』“I want someone to go to the seaside with me.”

『我要人伴着我到海边去.』

.』“Ask your seventh sister to go with you.”

『请七姨子陪你去.』

“Seventh Sister says that now I am married, I ought to go with you;.』she has already gone ahead with some other schoolmates. I want you to come with me.”

『七妹子说我嫁了,应当和你同行;她和别的同学先去了.我要你同我去.』

.』“I am truly sorry, but I cannot go out with you tonight.” They argued for a long while, but in the end the wife still went out

『我实在对不起你,今晚不能随你出去.』他们争执了许久,结果还是妻子独

alone.

The husband kept his head down and busied himself with his work for a full four hours. By then it was already eleven. Without going in to see whether his newly wedded wife had returned, he threw on his overcoat and strode out.

丈夫低着头忙他底事体,足有四点钟工夫.那时已经十一点了.他没有进去看看那新婚的妻子囘来了没有,披起大衣大踏步地出门去.

When he returned, he went first to the study and checked that everything was in order before entering the bedroom. His wife was already asleep. They had an agreement:whoever went to bed late

他囘来,还到书房里检点一切,才进入卧房.妻子已先睡了.他们底约法;睡迟底

had to kiss the one who had gone to sleep first on the lips before being allowed into bed. So the young man went to the bedside and, in accordance with the rule, kissed his wife. His wife

人得亲过先睡者底嘴才许上床.所以这位少年走到床前,依法亲了妻子一下.妻子

hurriedly rubbed her hand back and forth across her lips several times. She meant to show that she did not accept the kiss.

急用手在唇边来回擦了几下.那意思是表明她不受这个接吻.

The husband dared not get into bed and stood dumbly to one side. After a while, he went to the window, propped his chin on both hands, and drop after drop of tears fell

丈夫不敢上床,呆呆地站在一边.一会,他走到窗前,两手支着下颔,点点底泪滴

:『!……upon the window lattice. He said, “Never in my life have I suffered such punishment!…?』Where, after all, is your love?”

在窗櫺上.他说:『我从来没受过这样刑罚!……你底爱,到底在那里?』

使?』“You say you love me; then why did you punish me just now by leaving me all alone?” Having said this, the wife immediately got up and comforted him, saying,

『你说爱我,方才为什么又刑罚我,使我孤另?』妻子说完,随即起来,安慰他说,

?』“My dear, don’t take it seriously. I was only teasing you. Love itself is punishment—can we ever escape it?”

『好人,不要当真,我和你閙玩哪.爱就是刑罚,我们能免掉么?』

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What it’s about

A newly married wife asks her husband to walk by the sea. He must finish letters before the ship sails and suggests that her younger sister accompany her; she insists marriage means he should go. After a long argument she leaves alone, while he works until late and posts the letters. Their small conflict pits the urgency of scheduled public business against the equally real expectation that companionship will organize married time.

At bedtime their private rule requires the later spouse to kiss the one already asleep. When he does, she wipes her mouth to reject the kiss. He stands aside crying, calling this the first punishment he has known and asking where her love is. She answers that his earlier refusal punished her with loneliness, then gets up to comfort him and says she was only playing: love itself is punishment, and neither can escape it. The symmetry is imperfect but tender. Each uses withdrawal to make the other feel an absence, then recognizes pain as evidence of dependence.

When it was written 背景

The story's young couple represents the companionate marriage promoted in New Culture discussions, with affection and negotiated rules replacing purely familial arrangement. Yet modern institutions—the mail steamer, deadlines, letter writing—still compete with intimacy, and equality does not prevent emotional coercion. Xu treats marital play as both comic and genuinely painful, continuing the collection's question of whether lovers create suffering in order to receive proof of love. The seaside walk also echoes the unstable sea of the preceding chapter, though here the voyage is the external schedule that keeps the husband at his desk. Learners should watch the reciprocal vocabulary: 對不起, 孤另, 刑罰 and 安慰 move blame back and forth before the aphoristic final line holds both positions together.

Words in this chapter 生词