美底牢獄 The Prison of Beauty

The Prison of Beauty

美底牢狱

嬿,『Yanqiu was at her dressing table doing her morning hair when she saw her husband come home from afar; she gathered her hair back and asked, "Did you bring back everything I—

嬿求正在镜台边理她底晨妆,见她底丈夫从远地囘来,就把头拢住,问道,『我

?』—needed?"

所需要底你都给带囘来了没有?』

"I'm sorry!」;Though you are an architect, or a mason, able to build for yourself a "Prison of Beauty";

『对不起!你虽是一个建筑师,或泥水匠,能为你自己建筑一座「美底牢狱」;

.』I, however, am no freight-hauler, and cannot carry all sorts of materials for you."

我却不是一个转运者,不能为你搬运等等材料.』

便"With all your reading, you've either grown more muddled or more profound!?』Why is it that I can't understand a word you say?"

『你念书不是念得越糊涂,便是越高深了!怎么你底话,我一点也听不懂?』

:『Her husband said with a smile, "You don't understand?I know that you talk of loving beauty with every breath, and in all sorts of ways you ask me to bring you—

丈夫含笑说:『不懂么?我知道你开口爱美.闭口爱美,多方地要求我给你带等

—ornaments and finery;西I think that all those things, wrapped about your body and taken together, would surely become a

等装饰囘来;我想那些东西都围绕在你底体外,合起来,岂不是成为一座监禁你底

prison that imprisons you, wouldn't they?

牢狱吗?

,『She was silent for a long while, saying nothing. Her husband went on, "My dear wife, I think you still don't understand what I mean:

她静默了许久,也不做声.她底丈夫往下说,『妻呀,我想你还不明白我底意思:

西I think that all beautiful things can only be left scattered about in their various places; we can only love them where they naturally belong;.……』if we gather them together and set them in one place, or upon our bodies, then they are no longer beautiful.…"

我想所有美丽的东西,只能让他们散布在各处,我们只能在他们底出处爱他们;若是把他们聚拢起来,搁在一处,或在身上,那就不美了.……』

,『She opened wide her soft, charming eyes, and shaking her head said, "You're wrong. You're wrong. If one doesn't split open the oyster, how can one obtain—

她睁着那双柔媚的眼,摇着头说,『你说得不对.你说得不对.若不剖蚌,怎能得

—pearls?If one doesn't quarry the mountain, how can one obtain diamonds, jade, agate, and other such treasures?西And besides, those things are not beautiful to begin with—

着珠玑呢?若不开山,怎能得着金刚、玉石、玛瑙等等宝物呢?而且那些东西,本来不美,

they must be cut and polished by human hands, adorned, before they can appear beautiful. If you say that my wanting to adorn myself is building a—

必得人把他们琢磨出来,加以装饰,才能显得美丽咧.若说我要装饰,就是建筑一所

—Prison of Beauty, and shutting myself up inside it, then let me ask—who is not shut up inside such a prison?If there truly is, in this world, a Prison of—

美底牢狱,且把自己监在里头,且问谁不被监在这种牢狱里头呢?如果世间真有美

.』—Beauty, as you say, then we are nothing more than a single grain of sand or stone that goes into building that prison."

底牢狱,像你所说,那么,我们不过是造成那牢狱底一沙一石罢了.』

"What I mean is: let things follow their own nature — not even that grain of sand or stone need be kept. Why should the peacock adorn its own—

『我底意思就是听其自然,连这一沙一石也毋须留存.孔雀何为自己修饰羽

—feathers??』Has the water-chestnut or the lotus ever dyed its own blossoms red?"

毛呢?芰荷何尝把他底花染红了呢?』

"That's precisely why I say they have no sense of beauty!.』Let me tell you — you yourself long ago finished building your own prison."

『所以说他们没有美感!我告诉你,你自己也早已把你底牢狱建筑好了.』

"Nonsense!?』When did I ever do such a thing?"

『胡说!我何曾?』

Don't you have, in your heart, many fine imaginings;and don't you wish to act according to your fine ideals?Everything you possess — is it not—

你心中不是有许多好的想像;不是要照你底好理想去行事么?你所有底,是不

—picked out as fragments from prisons that the ancients once built!Or is it material drawn out from a world entirely your own?Naturally, a touch of the artificial must be added before there can be any meaning to it. If my form were exactly like that of people in the wild ages of old, would you still—

是从古人曾经建筑过底牢狱里检出其中底残片!或是在自己的世界取出来底材料呢?自然要加上一点人为才能有意思.若是我底形状和荒古时候的人一样,你还

—love me?I would venture to say, that if you did not dwell properly within your own prison, and did not constantly build up the walls of that prison—

爱我吗?我准敢说,你若不好好地住在你底牢狱里头,且不时时把牢狱底墙垣垒得

.』—higher and higher, I too could not love you."

高高地,我也不能爱你.』

Obstinate man — when have you ever truly admired a woman's words?,『All you can say is, "It's just that you're so good at talking!Wait till I've thought it over for a—

刚愎的男子,你何尝佩服女子底话?你不过会说,『就是你会说话!等我思想一

.』—while, and then I'll do battle with you again."

会儿,再与你决战.』

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What it’s about

Yanqiu asks whether her husband brought the ornaments she requested. He refuses, claiming that gathered adornments build a prison of beauty around her body: beautiful things should remain dispersed at their natural sources. She counters that pearls must be cut from shells, gems mined and materials polished before beauty appears. If adornment is imprisonment, everyone inhabits such a structure and every person helps supply its stones.

Her argument turns his naturalism against his moral ideals. Peacocks and lotuses may not decorate themselves, she says, because they lack aesthetic feeling; he too has constructed a prison from inherited ideas and private visions of how life ought to be. Indeed, she could not love him if he did not maintain it. The husband postpones defeat by promising to think before their next battle. Their flirtatious debate exposes how accusations of female vanity ignore the equally fashioned ideals through which men judge nature, beauty and women.

When it was written 背景

The dialogue belongs to early Republican debates about dress, liberated womanhood and whether aesthetic cultivation frees the self or subjects it to another standard. Xu lets neither “nature” nor ornament remain innocent: extraction damages shells and mountains, but even the husband's wish to leave things untouched is an intellectual construction inherited from earlier thinkers. The narrator's final address to the stubborn male reader makes Yanqiu's victory explicit and comic. Learners should map the repeated architectural terms—建築, 材料, 沙石 and 牆垣—as the prison expands from jewelry to the ideals inside a mind.

Words in this chapter 生词