愛底痛苦 The Pain of Love

The Pain of Love

爱底痛苦

Under green shade and moon-shadow, in bright sun and gentle breeze, or amid driving rain and drifting snow, Mr. Niu would invariably utter his sacred phrase,

在绿荫月影底下,朗日和风之中,或急雨飘雪底时候,牛先生必要说他底真言,

!』'Ah, love's pain!' Out of three hundred and sixty days in the year, there were few on which he did not say these words.

『啊,拉夫斯偏!』他在三百六十日中,少有不说这话底时候.

When the evening rain was about to come, the clouds, wearing faces of sorrow, fled hurriedly away;the unwitting, unknowing dragonflies still roamed idly about the garden. Love—

暮雨要来,带着愁容底云片,急急飞避;不识不知的蜻蜓还在庭园间遨游着.爱

西—of chanting his sacred phrase, Mr. Niu sat gloomily in his room, and through the west window saw his neighbor and friend Tian, in the next courtyard, holding her little brother and playing with him.

诵真言底牛先生闷坐在屋里,从西窗望见隔院底女友田和正抱着小弟弟玩.

The sister bit down hard on the child's arm;pinched his two cheeks; shook his body;and slapped his little legs as well. The child grew so distressed

姊姊把孩子底手臂咬得吃紧;擘他底两颊:摇他底身体;又掌他底小腿.孩子急

,『that he began to cry. Only then did the sister hastily gather him into her arms, and, laughing as she pushed him, say, 'There, there, good child, good little brother, don't cry. I dote—

得哭了.姊姊才忙忙地拥抱住他,推着笑说,『乖乖,乖乖,好孩子,好弟弟,不要哭.我疼

—on you, I dote on you dearly!.』Don't cry.' Before long the child's crying did indeed stop. But just as the little brother's face broke into a smile, the sister

爱你,我疼爱你!不要哭.』不一会孩子底哭声果然停了.可是弟弟刚现出笑容,姊姊

would once again set about biting him, pinching him, shaking him, and slapping him.

又该咬他、擘他、摇他、掌他咧.

,『The rain before the eaves hung like a curtain of pearls, screening off the scene from Mr. Niu's eyes. But the impression of a moment ago still lingered before his eyes. He closed the window, and paced back and forth alone in his room. At last he nodded his head, gave a laugh, 'Ha, ha!This—

簷前底雨好像珠帘,把牛先生眼中底对象隔住.但方才那种印象,却萦回在他眼中.他把窗户关上,自己一人在屋里蹀来踱去.最后,他点点头,笑了一声,『哈,哈!这

!』—too is love's pain!'

He went over to his writing desk, sat down, and raised his brush as though about to write something. He pondered for a long while before at last setting down a single line of seven-character verse.

他走近书桌子,坐下,提起笔来,像要写什么似地.想了半天,才写上一句七言诗.

,『便.』He read it over several times, then shook his head and said to himself, 'No good, no good. I can't write poetry — better just to jot things down as they come.'

他念了几遍,就摇头自己说,『不好,不好.我不会做诗,还是随便记些起来好.』

After Mr. Niu had crossed out that line of verse, he took out his diary to write in it. That day the things he had to record were especially

牛先生将那句诗涂掉以后,就把他底日记拿出来写.那天他要记底事情格外

滿numerous — the blank space allotted in the diary he had already filled up after lunch. So he cut himself a sheet of paper, and wrote on it:

多,日记里应用底空格,他在午饭后,早已填满了.他裁了一张纸,写着:

西'Dusk, heavy rain. Tian was teasing her little brother in the west courtyard, and it stirred a thought in me;namely: people all love to see the ones

『黄昏,大雨.田在西院弄她底弟弟,动起我一个感想;就是:人都喜欢见他们

they love suffer sorrow and distress;they try every means to make the one they love suffer. The more the beloved suffers, the more the lover delights in it, and the more deeply he loves.

所爱者底愁苦;要想方法教所爱者难受.所爱者越难受,爱者越喜欢,越加爱.

'Every man who is loved, in the hands of his woman, is exactly like the little brother upon Tian's knee. They too

『一切被爱底男子,在他们底女人当中,直如小弟弟在田底膝上一样.他们

are toyed with by the one who loves them.

也是被爱者玩弄底.

'A woman's love is hardest to give and easiest to take back. And when she takes her love back, it is not necessarily anything more than a kind of

『女人底爱最难给,最容易收囘去.当她把爱收囘去底时候,未必不是一种

playful impulse;but it is the other person who suffers for it.

游戏的冲动;可是苦了别人哪.

'Ah, woman who loves to toy with others, why must you go and do this!?』And you, foolish man, is your anguish then only what you deserve?'

『唉,爱玩弄人底女人,你何苦来这一下!愚男子你底苦恼,又活该呢?』

,『!』When Mr. Niu had finished writing, he read it over once more, then crossed out those last few sentences, saying, 'I've written too much, far too much!' He

牛先生写完,覆看一遍,又把后面那几句涂去,说,『写得太过了,太过了!』他把

,『pasted the sheet of paper into his diary, and was just about to get up when the old nurse carried the crying child in, saying as she came, 'Sister is being bad,

那张纸付贴在日记上,正要起身,老妈子把哭着底孩子抱出来,一面说,『姊姊不好,

.』she loves to bully people. Don't cry, let's go find Mr. Niu.'

爱欺负人.不要哭,咱们找牛先生去.』

!』'Sister hit me!' This was all the child was able to say to Mr. Niu.

『姊姊打我!』这是孩子所能对牛先生说底话.

,『Mr. Niu, putting on a pitying tone and a mournful face, answered, 'Is that so?Sister hit you?Come, let me see how far the hitting

牛先生装作可怜的声音,忧郁的容貌,囘答说,『是么?姊姊打你么?来我看看打

?』went?'

Comforted by him, the child soon forgot his pain and grew quiet. All that remained noisy now was the sound of the driving rain outside,

孩子受他底抚慰,也就忘了痛苦,安静过来了.现在吵闹底,只剩下外间急雨底

that was all.

声音.

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What it’s about

Mr. Niu constantly repeats a foreign-sounding mantra of love. Watching through a window, he sees his friend Tianhe play with her little brother by biting his arm, pinching his cheeks, shaking him and slapping his leg until he cries. She then embraces him, calls him good and says she loves him; as soon as he smiles, she begins tormenting him again. The rain hides the scene, but its rhythm lodges in Niu's mind as a model of affection that manufactures the suffering it then comforts.

He tries to turn the observation into a poem, fails, and instead appends a page to his already full diary. His generalizations grow severe: lovers enjoy the pain of the beloved, men are toys in women's hands and women's love is easily withdrawn. He rereads the passage and crosses out the most excessive claims. When the crying child is brought to him, Niu responds gently and the boy becomes calm. The miniature makes fun of a thinker converting one domestic incident into a theory of women, while showing that his melodramatic idea contains a smaller truth about intimacy, play and power.

When it was written 背景

The repeated phrase “拉夫斯偏” appears to be Xu's comic phonetic rendering of an imported slogan about love rather than a standard Chinese expression. Foreign vocabulary, diary writing and self-conscious theorizing mark Mr. Niu as a modern intellectual, but his seven-character verse fails and his universal claims collapse under rereading. The story participates in May Fourth debates over romantic freedom and companionate love while satirizing the tendency to explain “woman” from male disappointment. Its gender assumptions are distinctly of the period and should not be mistaken for an endorsed diagnosis. For learners, follow the repeated actions 咬, 擘, 搖, 掌 and the sequence 寫, 塗去: bodily play is first observed, then inflated in prose, then partly corrected.

Words in this chapter 生词